I was out at the beach one evening a couple months ago and I witnessed what had to be one of the most amazing sunsets ever, one like none I had seen before. Something about it deeply affected me, I realized that I will never see THAT sunset again, and in fact every moment and experience is just as rare and fleeting, moving slices of time. We are always in motion, moving forward, moments and the memories constantly passing us by. I am trying to find a way to capture these moments. Not just to record a still image or take a "snapshot", but I have been trying to give my images more motion and energy, with the realization or idea that this scene is passing, and will never re-occur. I am relying more on the memory and feeling of that time rather than trying to accurately convey it as I saw it. It can be the bustle of people within a setting, the sound of music coming from a group of musicians, the crisp air in a winter scene, or water rolling up onto the sand. I have struggled throughout my life to remain in the moment, which means I consciously have to make an effort to take in what is happening at the time. I have tried my best lately to focus on today, to enjoy what I have right now, and attempt to capture the memory, emotion, movement, and energy, as I am here. I strive to take those moving slices of time and create a painting that will more accurately convey the emotion and feeling of that moment or memory. ~ Mark Bailey
Thursday, July 29, 2010
Mark Bailey on upcoming show "DUO"
I was out at the beach one evening a couple months ago and I witnessed what had to be one of the most amazing sunsets ever, one like none I had seen before. Something about it deeply affected me, I realized that I will never see THAT sunset again, and in fact every moment and experience is just as rare and fleeting, moving slices of time. We are always in motion, moving forward, moments and the memories constantly passing us by. I am trying to find a way to capture these moments. Not just to record a still image or take a "snapshot", but I have been trying to give my images more motion and energy, with the realization or idea that this scene is passing, and will never re-occur. I am relying more on the memory and feeling of that time rather than trying to accurately convey it as I saw it. It can be the bustle of people within a setting, the sound of music coming from a group of musicians, the crisp air in a winter scene, or water rolling up onto the sand. I have struggled throughout my life to remain in the moment, which means I consciously have to make an effort to take in what is happening at the time. I have tried my best lately to focus on today, to enjoy what I have right now, and attempt to capture the memory, emotion, movement, and energy, as I am here. I strive to take those moving slices of time and create a painting that will more accurately convey the emotion and feeling of that moment or memory. ~ Mark Bailey
Tuesday, July 20, 2010
Junko Ono Rothwell Visiting Artist
The Sanctuary is not the only fortunate holder of Rothwell’s work. Her works have been purchased by the State of Georgia and many corporations including the Southern Company, Continental Telephone, Kaiser Permanente, Prime Bank, Nations Bank, George Washington University Hospital in Washington, D.C., and the Northwest Memorial Hospital in Chicago.
Wednesday, July 7, 2010
"Blueprints" by Russell Gordon
"Blueprints" by Russell Gordon began as a traditional tabletop still life, but evolved into a painting with visual dimension as well as depth of meaning.
"The actual blueprints I used as a prop are the ones we had drawn up by and architect when our studio was built in 2000. I tried to make the painting an homage to the arts, primarily with the palette and brushes but also to music (the treble clef formed by the string near the shell) and poetry literature (books). The blue bird (an Indigo Bunting) was a late addition but I felt gave the painting some life and snap. The snail finds his way into a lot of my work as a nod to the time it takes to work this way, so slowly. The mortar and pestle and the bottle are old apothecary tools but I use them to grind paint and of course as pictured to hold paint, watercolor style. I sort of bound the whole composition in a string to unify it but also left the viewer a pair of scissors to cut where they want." ~ Russell Gordon
What the viewer gets is a masterpiece that prompts discussion both for its underlying meaning but also the impeccable details only achieved through a combination of the marojer medium used by Gordon and his incredible skill.